Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Thursday, December 17, 2009

Out of China 2012

A movie review from my friend Andy who lives in Shanghai. A unique prespective from someone living in China.


Just when Hollywood seems to run out of box-office hits, Roland Emmerich’s 2012 succeeded in turning the tide. While raking in millions of dollars, the movie stands out in attracting the most disparaging reviews, ranging from “a total waste of time” to “two thumbs up”. Coming from the same Director of Independence Day and The Day After Tomorrow, what makes 2012 so different from other disaster movies?

First, timing is everything. Unlike others catastrophic movies, like Armageddon or The Day After Tomorrow, 2012 predicts that the world is coming to an end within 3 years time. By adding an imminent period to the earth’s biological clock, the movie proves to work immensely well with an audience living under the sword of Damocles of the still unraveling global financial turmoil. From Wall Street to Main Street , bankers to brokers, fear has been the overriding emotion for the past two years – the fear of losing our jobs, our homes, and our livelihoods. Also, against the backdrop of “rain of biblical proportions” in Lake District , UK (as reported by BBC) and the recent talking heads reporting from Copenhagen , the time is ripe to take a hard look on earth-shattering disasters. Instead of providing a solution, however, 2012 deepens the fear, adding a twist to all the deliberation and empty talks. Sorry folks, this is it, there is no way of avoiding the end of the world.

Then, the place is the second twist. Unlike Armageddon, where the all American Bruce Willis joined hands with NASA to save the world, China played savior in this Hollywood sci-fi. Also, while the climatologist turned Whitehouse advisor (played by Chiwetel Ejiofor) first discovered the world’s deadline in India and reported to the begrudging Whitehouse – as usual – it was China who acted on the delivery. At the end of the day, it was China who saved the world in 2012 – a new trick indeed! China , with her jaw-dropping technology and seamlessly orchestrated plan, not to mention her far-sightedness, patience, and inclusivity provided refuge for people from all nations, tribes and tongues. And in this case, China sacrificed herself in the process of saving the world. I was told that the original version has two scenes where the Great wall was swept away too but I did not see it in my version. Another trick inserted by the Director was, of the seventy over cities in China , it was not Beijing or Shanghai which was chosen for the secret location to build the ship but the mountainous Tibet . Three paradoxes are played out vividly here: (1) the strong and mighty like the Second-in-Command of the United States of America and the Queen of England came to seek refuge from the fragile, marginalized and often misunderstood savior; (2) In saving the world, the savior needs to sacrifice himself; (3) It was not in the capitol cities where the savior was hidden, but the quiet outskirt.

But what is the Plan? This, I believe, is what really distinguishes Emmerich’s latest flick from the rest, his previous ones included. Taking a leaf from Genesis – the first book in the Bible, the Plan is to have every living creature and some carefully selected people preserved in a very big ship when the world stops evolving following the deluge. In the Bible, the big ship was called the Ark , and it was built by a man called Noah (Genesis 6 – 9).

Had Emmerich been following China ’s aeronautical developments for the past few years, he would have named the spaceship Shenzhou ba hao. But, wait, why the Noah’s Ark Plan? The 54 year-old German director graduated from University of Television and Film Munich with a thesis entitled the Noah’s Ark Principles back in 1981.

Well, why then, did Emmerich choose China to play the unnamed Noah? Wouldn’t California – the hometown of Hollywood which is also governed by a Megastar-turned-Governor – the perfect blend to play savior? Pundits who suggest the quick answer of 1.3 billions cinema goers has got it only half right, for many – myself included – watched it through DVDs brought from the streets here in China.

Do the Chinese believe in the Bible? According to Emmerich, the answer is a resounding “yes”.


Monday, October 19, 2009

God's Preparation of the Church in China

Click Here
Going to Ground
On the eve of World War II, John Sung swept China and South East Asia with revival, a final preparation for Christianity underground.


In 1935, a Chinese preacher in his mid 30s stood on a makeshift stage in Singapore conducting a Presbyterian-hosted revival. Chinese theologian Timothy Tow, a boyhood convert of that week, described John Sung as "attired in a light white Chinese gown . . . with a shock of black hair flapping his high forehead, he was jabbing away ... 'You ought to die, to die!'" Sung then proceeded to act out and shout out the biblical story of Sodom and Gomorrah.


Finish this article from ChristianHistory.net.

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Sunday, August 2, 2009

Lottie Moon in China

http://lists.christianitytoday.com/t/16777503/7887288/173270/0/
The Little Woman with the Big Legacy
A tough and determined missionary, Lottie Moon called an entire denomination to a greater participation in the Great Commission.


In her life as a missionary in China, Lottie Moon stood barely more than four feet tall. In death, she weighed about 50 pounds. Her impact on the history of missions, however, has been enormous.

Finish this article from ChristianHistory.net.

Wednesday, July 30, 2008

The New Asian Hemisphere

Kishore Mahbubani (2008), The New Asian Hemisphere: The Irresistible Shift of Global Power to the East, New York: PublicAffairs

Kishore Mahbubani is the Professor of Public Policy of the Lee Kuan Yew School of Public Policy at the National University of Singapore. His previous books carry the interesting titles of Can Asian Think? and Beyond the Age of Innocence.

In this book, Kishore, a former diplomat explores the reaction of the West especially the United States towards the shift of global power to the east. By 2050, the world's three largest economies will be in Asia: Japan, India, and China.

Kishore's thesis is that the east like to replicate, not dominate. This was always so with Asian and Western countries. However much depends on the response of the United States. If the United States are willing to share and not dominate, then there will be much benefit to everyone. However if the United States decide to try to dominate the rising economies, there will be much chaos.

History unfortunately has shown that the Western response when threatened by the east was always a retreat into protectionism and attacks. The Japan-bashing of the 1980s, have been replaced by India-bashing of the 1990s (due to outsourcing) and now we have China-bashing in the 2000s. Looks like we are in a stormy ride.

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The New Asian Hemisphere

Kishore Mahbubani (2008), The New Asian Hemisphere: The Irresistible Shift of Global Power to the East, New York: PublicAffairs

Kishore Mahbubani is the Professor of Public Policy of the Lee Kuan Yew School of Public Policy at the National University of Singapore. His previous books carry the interesting titles of Can Asian Think? and Beyond the Age of Innocence.

In this book, Kishore, a former diplomat explores the reaction of the West especially the United States towards the shift of global power to the east. By 2050, the world's three largest economies will be in Asia: Japan, India, and China.

Kishore's thesis is that the east like to replicate, not dominate. This was always so with Asian and Western countries. However much depends on the response of the United States. If the United States are willing to share and not dominate, then there will be much benefit to everyone. However if the United States decide to try to dominate the rising economies, there will be much chaos.

History unfortunately has shown that the Western response when threatened by the east was always a retreat into protectionism and attacks. The Japan-bashing of the 1980s, have been replaced by India-bashing of the 1990s (due to outsourcing) and now we have China-bashing in the 2000s. Looks like we are in a stormy ride.

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Friday, April 25, 2008

From Moses to Mao, A Man and his Art



Christianity Today (Web only) 2008

From Mao to Moses
Artist He Qi, born again in China's Cultural Revolution, is painting a new peaceful identity for the Chinese church.
Susan Wunderink, with reporting by Gary Gnidovic posted 4/25/2008 09:26AM

A teenager at the launch of the Cultural Revolution, Chinese artist He Qi (pronounced huh chee) is fast gaining world recognition for his paintings, which are almost exclusively depictions of biblical events.

The witty, reverent paintings are full of the symbolism of Beijing Opera, medieval-style hidden messages, and modernist plays on perspective and time. And He is introducing a new idiom for biblical art, one influenced by, but not part of, the European traditions. His website says, "He hopes to help change the 'foreign image' of Christianity in China by using artistic language, and at the same time, to supplement Chinese art the way Buddhist art did in ancient times."

He's work is gaining more and more attention in the West. He has exhibited in the U.S., the U.K., Switzerland, Germany, Canada, Japan, and Hong Kong, as well as in mainland China. In 2006, Overseas Ministry Study Center collected his work in Look Toward the Heavens, and he is now working on an ambitious project: an illustrated Bible. It's an unlikely project for the son of a non-Christian mathematics professor.

read more

watch powerpoint slideshow here

From Moses to Mao, A Man and his Art



Christianity Today (Web only) 2008

From Mao to Moses
Artist He Qi, born again in China's Cultural Revolution, is painting a new peaceful identity for the Chinese church.
Susan Wunderink, with reporting by Gary Gnidovic posted 4/25/2008 09:26AM

A teenager at the launch of the Cultural Revolution, Chinese artist He Qi (pronounced huh chee) is fast gaining world recognition for his paintings, which are almost exclusively depictions of biblical events.

The witty, reverent paintings are full of the symbolism of Beijing Opera, medieval-style hidden messages, and modernist plays on perspective and time. And He is introducing a new idiom for biblical art, one influenced by, but not part of, the European traditions. His website says, "He hopes to help change the 'foreign image' of Christianity in China by using artistic language, and at the same time, to supplement Chinese art the way Buddhist art did in ancient times."

He's work is gaining more and more attention in the West. He has exhibited in the U.S., the U.K., Switzerland, Germany, Canada, Japan, and Hong Kong, as well as in mainland China. In 2006, Overseas Ministry Study Center collected his work in Look Toward the Heavens, and he is now working on an ambitious project: an illustrated Bible. It's an unlikely project for the son of a non-Christian mathematics professor.

read more

watch powerpoint slideshow here